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Entangled: Seven Artists from Yale School of Art — Galerie Kandlhofer, June 25–July 31

Entangled: Seven Artists from Yale School of Art — Galerie Kandlhofer, June 25–July 31
The file
The practical details Claire checked before this went into the index.
When
25 June 2026 – 31 July 2026
Where
Galerie Kandlhofer, Brucknerstraße 4, 1040 Wien — the 4th
Price
Free
  • Indoor
  • Contemporary art
  • International group show
  • 4th district
  • Gallery
  • Ongoing

Galerie Kandlhofer has been a fixture of Vienna's contemporary art world for decades, known for taking risks on artists before they're established elsewhere. The gallery sits on Brucknerstraße in the 4th, a district that's quietly become a secondary arts hub — less visible than the 7th or the 1st, but serious about what it shows.

This particular exhibition, Entangled, brings together seven artists from Yale School of Art's MFA program. The curation is by Hector Hollein, whose father Hans Hollein was one of Austria's most important architects — a figure whose work shaped the way Vienna thinks about space and design. That lineage matters here. It signals that this isn't a student show or a residency exhibition. It's a deliberate curatorial gesture: American art school training meeting Vienna's gallery infrastructure.

The Artists

The seven include Amy Chasse, Yuna Cho, Ambrose Rhapsody Murray, Leyla Tonak, Yuwei Tu, and Alixe Turner, among others. There's no unified aesthetic — each brings their own language and practice. That's intentional. The title Entangled suggests connection and complexity rather than stylistic coherence. Some work in painting, others in sculpture or installation. Some are working with material and form; others are more conceptually driven. The variety is the point.

What they share is the rigour of a top-tier art school education and the kind of ambition that comes with it. Yale's MFA program is known for pushing students to develop a distinctive voice, not to fit a particular school style. So what you see here is seven different artists at a moment when they're finding their footing post-graduation.

Why Kandlhofer

The gallery itself is worth paying attention to. It's not a white-cube minimalist space — it has character and history. The walls have presence. The light is considered. It's the kind of place where a show can breathe, where the work isn't fighting the architecture.

Kandlhofer has a track record of supporting artists who go on to have serious careers elsewhere. The gallery's international connections mean they're not just showing for Vienna — they're showing for a broader European and international audience. That changes how work is presented and positioned.

The 4th District Angle

The 4th district (Wieden) isn't Vienna's obvious art neighbourhood. The 7th has the density and the brand recognition. The 1st has the prestige. But the 4th has been quietly developing its own character — galleries, small studios, the kind of spaces that don't need to announce themselves because the people who matter know they're there.

Brucknerstraße itself is a working street. You'll pass a bakery, a hardware store, the ordinary texture of Vienna. That's part of why this show matters — it's not in a polished arts district. It's embedded in the actual city.

What to Expect

The show is free to enter. The gallery is open Tuesday to Friday, 11–18h. It's not a massive installation or a spectacle — it's a focused exhibition of work by seven artists who are taking themselves seriously. That means you can actually spend time with individual pieces, think about them, come back if something lands.

If you're in the 4th for other reasons, it's worth the walk up Brucknerstraße. If you're looking for something that feels current and genuinely international, this is it. The kind of show that reminds you why Vienna still matters as a place for art.

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