Baba Zula —30th Anniversary Tour @ WUK Wien
- The file
- The practical details Claire checked before this went into the index.
- When
- 20 September 2026
- Where
- WUK Werkstätten- und Kulturhaus, Währinger Straße 59, 1090 Wien
- Price
- Ticketed (TBC)
- Live Music
- Psychedelic
- World Fusion
- Turkish
- 9th district
Baba Zula began in 1996 when filmmaker Dervish Zaim asked them to score a film called Tabutta Rovasata (Somersault in the Coffin). What started as a project became a project that never stopped. Three decades later, they're still making music that sounds like no one else in the region — electric saz and darbuka layered over dub, reggae, electronica, and the kind of psychedelic texture that only comes from genuine experimentation, not pastiche.
The sound is specific. Murat Ertel plays electric saz — an instrument that can sound like a guitar, a voice, or something in between. Levent Akman handles electronics and percussion with the precision of someone who's been jamming with the same person for forty years (they met in high school). The rhythm section is polyrhythmic, hypnotic, and never quite where you expect it to be. It's the kind of band that sounds even better live, in a room where the sound can fill the space and the audience can feel the weight of it.
Vienna has a Turkish-Viennese diaspora that runs deep, especially in the 9th. This is the kind of show that brings that community together — not as a cultural exhibit, but as a genuine night out where the music matters more than the framing. WUK is the right venue: dark, packed, no pretence, and the sound system is good enough to do the dub work justice.
They're touring for their 30th anniversary. The fact that this is rare enough to mark is part of the point.
More in Don't Miss
Ei Arakawa-Nash: Cologne of the Maghreb (Bodyphilia Song) — Meyer Kainer
- When
- 29 May 2026 – 31 July 2026
- Where
- 1st · Innere Stadt
Ei Arakawa-Nash works across performance, painting, and installation with a strong collaborative and bodily dimension. This show at Meyer*Kainer — one of Vienna's most serious commercial galleries — presents an LED installation extending Arakawa-Nash's experiments with performative electronic paintings. The gallery is understated, the work is genuinely interesting, and it's been running quietly since May. Meyer*Kainer is in the 1st, near the Naschmarkt end. Through July 31.
Read the note →Beat the Silence on Tour — Wien, Flucc, July 2026
- When
- 1 July 2026 – 31 July 2026
- Where
- 2nd · Leopoldstadt
Beat the Silence is an Austrian band releasing their debut at Flucc in Vienna this July. The show is part of a tour organized with mica – music austria, the country's music information and support organization, which signals a project that's being taken seriously by the industry without the mainstream machinery behind it. Flucc sits on Praterstraße in the 2nd district and is one of Vienna's most reliable venues for emerging Austrian music. The room is small, the sound is good, and the crowd is there because they actually want to be — not because they're performing a scene. That matters. The mica partnership is worth noting. It means there's real infrastructure behind this: a network of people who work with emerging artists because they believe the work deserves to exist. It's not a guarantee of anything, but it's a signal that someone has vetted the band and thought they were worth the support. If you're interested in what Austrian music is doing right now — not the polished export version, but the actual work happening in rooms like this — this is the kind of show that rewards showing up.
Read the note →Entangled: Seven Artists from Yale School of Art — Galerie Kandlhofer, June 25–July 31
- When
- 25 June 2026 – 31 July 2026
- Where
- 4th · Wieden
Galerie Kandlhofer on Brucknerstraße in the 4th has a show of seven Yale School of Art MFA graduates, curated by Hector Hollein. The artists are Amy Chasse, Yuna Cho, Ambrose Rhapsody Murray, Leyla Tonak, Yuwei Tu, Alixe Turner, and Faye Wei Wei. It's one of those shows that lands because of who's behind it — Hollein is the son of Hans Hollein, one of Austria's most important architects, and Kandlhofer is one of Vienna's most internationally connected commercial galleries. So this isn't a small-scale artist residency show. It's a specific transatlantic proposition: American art school rigour meeting Vienna's gallery infrastructure. The work is contemporary — no particular unified aesthetic across the seven, but that's the point. Each artist brings their own language. The gallery space itself is clean and serious, the kind of place where you can actually see what's on the walls without competing with the venue's personality. It runs through July 31. Open Tuesday to Friday, 11–18h. Free entry. If you're in the 4th and haven't been to Kandlhofer, this is a solid reason to walk up Brucknerstraße and find out what they're doing.
Read the note →